It's true that the anthemic backing vocal choruses of material like "Girls Not Grey" and "Bleed Black" make the songs more pop than hardcore or even Havok's beloved goth. Oscillating between churning verses and intersecting solos and riffs, "The Great Disappointment" is like junior-varsity Fugazi, while the heroic emo chord changes of "This Celluloid Dream" transform Havok's preening wail into a sensitive croon, and single "Girls Not Grey" is a car-radio singalong of pure genius. Vig and Finn kept the band's nucleus of pummeling California hardcore but stretched the songs lengthwise to incorporate greater lyrical introspection for Havok and even more attention to melody than on previous efforts. Emerging in early 2003 with Sing the Sorrow, it's clear the molting process AFI began with Black Sails in Sunset is complete. Work on AFI's major-label bow began in August of 2002 at L.A.'s Cello Studios, with Butch Vig (Nirvana, Smashing Pumpkins) and Jerry Finn (Green Day, Rancid) at the helm. The backing of DreamWorks meant that AFI could now hire major-league production to tweak what Puget had started. Assuming the role of principal songwriter, Puget wrapped vocalist Davey Havok's gothic tendencies in songs that put a finer point on the aggressive hardcore of AFI's earlier material, and massaged hooks from a morass of crashing rhythm, punk rock riffs, and Havok's opaque lyrics. It is merely the next step on a path that began with 1999's Black Sails in Sunset, the first album to feature guitarist Jade Puget. The album runs in a complete loop, with no start or finish.Sing the Sorrow, their DreamWorks debut, isn't the wholesale departure from AFI's roots that some longtime fans griped about. The first track, “Miseria Cantere” (Which translates to ‘Sing The Sorrow’) is not actually the beginning. The entire album illustrates deep themes of reincarnation, as there are circles everywhere. So, if Davey is 111 less than 777…which means he is 666.
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Now here’s where he gets a little cunning Davey said “I am 111 less than perfection.” 777 is said to represent an almighty perfection. We know 3 is Divine Perfection, however another theory states that the number 37 is relative to the number 666 in the bible. The number 3 is said to be circular, or to represent the Trinity. Some philosophy states that a person must do 37 deeds in order to stop reincarnating and reach “heaven”. Since the disc that was released prior to STS was entitled “336”, we might be able to determine that this is what the band meant when they said that this is “the beginning”.ģ37 is “what comes after”, or Sing The Sorrow. In astrology, 336, or the “Angel Number” is a representation of “peace”, which might be interpreted as death. In Biblical Numerology, the number 3 is considered divine perfection, and 7 denotes spiritual perfection. The final scene, on the beach represents rebirth.
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The fluid in the bathtub symbolizes “Bleed Black”, the Chrysanthemum symbolizes “The Great Disappointment”. In the beginning, Hunter is running through leaves, which represent death, and their return to the earth as they fall.
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However, it is full of symbolism, which was later broken down. The film is fairly quiet, with no spoken words. “Clandestine” was said to be very important to the mysteries of Sing the Sorrow. I’ve come to be these halos.“ "Hear nothing and see no oneĪfter the album release, the band released a special edition of the CD, that included an DVD with a short film entitled “Clandestine”, and a hard cover booklet that had higher-quality images of the booklet in the jewel CD case. This EP had 2 tracks, on the A side was “Now The World”Īnd on the B side was “Reiver’s Music”, with lyrics that included: While AFI had already started to move away from their hardcore punk roots, Sing the Sorrow was their first album to fully embrace the gothic rock and emo sound, while still maintaining some post-hardcore and punk rock influences.īefore the album release, the band released a 10" disc and titled it “336”, without any explanation. The album received critical acclaim from critics, who praised its melodies and musicianship, as well as its mature sound in comparison to the band’s previous material. Recorded at Cello Studios in Los Angeles, California between 20, the album was produced by Jerry Finn and Butch Vig. Sing the Sorrow is AFI’s sixth studio album.